Books — Second Try

October 26, 2008 by tfishergmu

Had that problem happen before, finally figured out what happened — if I draft on Word and copy over, it copies over a bunch of the metadata about the file.  So feel free to ignore that post and try this one, where the work isn’t shown quite so much.

-Tracy

I looked at The Return of Sherlock Holmes by A.C. Doyle.

I started on archive.org, where I found it at http://www.archive.org/stream/returnofsherlock00doyliala from McClure Phillips. I wanted to see the flip book feature that we’d seen in class. I particularly like that the flip book feels more like a book, although the animation might get a little frustrating at times as it’s pretty slow and deliberate. (The best part of the flip book was that it included that page of tissue paper between the title page and the plate that has the picture on it.) One challenge to this view is that on my initial laptop screen it wasn’t clear how to move forward and backward – I had to maximize my screen to get the navigation buttons. I liked that there was a PDF and a black and white PDF that was a smaller file size. Not surprisingly, few of the animated files are small enough to be easier downloaded over a dial-up connection – full text reading, at least with animation, is only for those with high bandwidth. There is a full-text only version of the file – no animation, no pictures – not as pretty to look at but reasonably functional and much more suitable for those with limited modems.

Oddly, when I got to the Google version, I was really distracted but the fact that it pages down like a PDF, instead of right to left like a book (and like archives.org). That’s what I would have expected if it hadn’t been for seeing archives.org first. The Google interface is much more traditional, like reading a PDF file on the computer. Not bad – just not as neat. And maybe it was just me (or my interface), but I couldn’t get the Google book to fill the whole screen – I could get two pages up at once, but it still wasn’t as good a use of the text relative to the screen size as archives.org.

So as usual, there are tradeoffs. Google gives you less imaginative presentations of the books but more of them; archives.org gives you a more book-like feel but for fewer books. There are other tradeoffs as well, some of which cut the other way. I liked the Google search interface much more than archives.org, which initially appeared to send me to particular libraries rather than letting me search across all of them. And of course the digital images of covers are fun. (Maybe that’s where they spent their imagination in the initial phase of the project.)

One disadvantage of the fun archives.org interface is that the contrast isn’t as high – the brownish tint to the pages makes it a little harder to read, while the Google interface has a more white tint, which makes the contrast high and a little easier on the eyes.

Archive.org has an interesting feature – a print-on-demand feature where a small publishing house will print you up a copy of the book and send it to you. I had heard that Amazon was looking to partner with a company like that. I don’t fully understand the idea yet, but at first blush it sounds like a potential solution to the issue we raised in class last week – what if you want a book and no one will publish it? It doesn’t solve the copyright issue – you’d still be expected to pay, I assume, not only for the costs involved but for the copyright as well – but it’s a step in the right direction to access, if not affordability.

To get the Google search function up, you need to have the sidebar, which is a little annoying – why can’t it search like a PDF? And why isn’t there a search function on the toolbar? Whereas Archives.org not only has the text search available in full-screen reader mode, it puts essentially post-it note flags on all the pages that have your term. Again, I found archives.org much more imaginative.

I suppose the real issue is that I want my books to be more like, well, books and less like text images or PDF files. Archives.org gets as close to the experience of reading I can imagine. Google, though, is making a lot more available – so if I’d want to use the resource, I’d have to use Google for the breadth of its content (and maybe for easier-on-the-eyes reading). That makes me pretty neutral between the two – if I could find it on archives.org, I’d probably want to use it there, but if I couldn’t, I’d be back at Google. But, of course, in the end, I’d rather have the actual physical book.

Books — Not Just for Paper Anymore

October 26, 2008 by tfishergmu

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I looked at The Return of Sherlock Holmes by A.C. Doyle.

I started on archive.org, where I found it at http://www.archive.org/stream/returnofsherlock00doyliala from McClure Phillips. I wanted to see the flip book feature that we’d seen in class. I particularly like that the flip book feels more like a book, although the animation might get a little frustrating at times as it’s pretty slow and deliberate. (The best part of the flip book was that it included that page of tissue paper between the title page and the plate that has the picture on it.) One challenge to this view is that on my initial laptop screen it wasn’t clear how to move forward and backward – I had to maximize my screen to get the navigation buttons. I liked that there was a PDF and a black and white PDF that was a smaller file size. Not surprisingly, few of the animated files are small enough to be easier downloaded over a dial-up connection – full text reading, at least with animation, is only for those with high bandwidth. There is a full-text only version of the file – no animation, no pictures – not as pretty to look at but reasonably functional and much more suitable for those with limited modems.

Oddly, when I got to the Google version (http://books.google.com/books?id=JvwNAAAAYAAJ&printsec=frontcover&dq=subject:%22+Fiction+/+Mystery+%26+detective+/+General+%22&as_brr=1&ei=G0UESebnN5X8ygSd1fHOBQ&rview=1), I was really distracted but the fact that it pages down like a PDF, instead of right to left like a book (and like archives.org). That’s what I would have expected if it hadn’t been for seeing archives.org first. The Google interface is much more traditional, like reading a PDF file on the computer. Not bad – just not as neat. And maybe it was just me (or my interface), but I couldn’t get the Google book to fill the whole screen – I could get two pages up at once, but it still wasn’t as good a use of the text relative to the screen size as archives.org.

(By the way, unless I’m doing something wrong, check those URLs — archives.org makes some sense, but the Google one isn’t something that you could derive for yourself.  Probably intentional, but I kind of like being able to find things logically and send links to people — archives.org seems more suitable for that.)

So as usual, there are tradeoffs. Google gives you less imaginative presentations of the books but more of them; archives.org gives you a more book-like feel but for fewer books. There are other tradeoffs as well, some of which cut the other way. I liked the Google search interface much more than archives.org, which initially appeared to send me to particular libraries rather than letting me search across all of them. And of course the digital images of covers are fun. (Maybe that’s where they spent their imagination in the initial phase of the project.)

One disadvantage of the fun archives.org interface is that the contrast isn’t as high – the brownish tint to the pages makes it a little harder to read, while the Google interface has a more white tint, which makes the contrast high and a little easier on the eyes.

Archive.org has an interesting feature – a print-on-demand feature where a small publishing house will print you up a copy of the book and send it to you. I had heard that Amazon was looking to partner with a company like that. I don’t fully understand the idea yet, but at first blush it sounds like a potential solution to the issue we raised in class last week – what if you want a book and no one will publish it? It doesn’t solve the copyright issue – you’d still be expected to pay, I assume, not only for the costs involved but for the copyright as well – but it’s a step in the right direction to access, if not affordability.

To get the Google search function up, you need to have the sidebar, which is a little annoying – why can’t it search like a PDF? And why isn’t there a search function on the toolbar? Whereas Archives.org not only has the text search available in full-screen reader mode, it puts essentially post-it note flags on all the pages that have your term. Again, I found archives.org much more imaginative.

I suppose the real issue is that I want my books to be more like, well, books and less like text images or PDF files. Archives.org gets as close to the experience of reading I can imagine. Google, though, is making a lot more available – so if I’d want to use the resource, I’d have to use Google for the breadth of its content (and maybe for easier-on-the-eyes reading). That makes me pretty neutral between the two – if I could find it on archives.org, I’d probably want to use it there, but if I couldn’t, I’d be back at Google. But, no suprise, in the end, I’d rather have the actual physical book.

-Tracy

The Blogosphere from a Distance

October 19, 2008 by tfishergmu

While I’m spending the day on WordPress, I thought I’d add some comments about my evolving view of the ’sphere for those who are trying to help me get to the 21st century.  I still feel like I’m talking mostly to myself and I can’t shake the feeling that ego is a part of this — why do I think people (beyond the class, who have been put in a position of having to care to some extent) would be particularly interested in what I had to say, particularly in so informal a fashion?  If I put together an article or (heaven forbid) a book, I’d have spent so much time figuring out just the right words and being edited by others (and having passed the hurdle of being selected for publication) that it might be reasonable to think that I was part of a dialogue, even a somewhat narrow one in that particular field.  Instead, I don’t feel part of a dialogue.  I just feel like I’m talking (or yelling) into the ’sphere and contributing to a cacophony of voices that make it that much harder to distinguish any one conversation.  Maybe my posts just aren’t interesting enough — that could certainly be true!  Maybe I’m doing something wrong — are there code words I don’t know about?  Maybe it’s unreasonable to expect anything but one-way communication (especially under the circumstances of the relatively narrow area of this class) when there are so many conversations going on.  Or maybe I’m just talking to myself.  =)

-Tracy

Copyright And Me

October 19, 2008 by tfishergmu

One of the blog tasks for this week was to write about the impact of copyright on your projects.  I can see two major issues for my project.  The first one is images — I’ll need lots of pictures of memorials and such.  The ones I’ve grabbed so far are from public sources like the government that shouldn’t create a problem.  Some I can take myself — a big start would be memorials locally.  It’ll be more unusual (or out of the way) sites that would pose more of a problem.  Maybe ask people to contribute pictures that they’ve taken?  I think most folks would be more interested in advancing the project (and getting credit for their picture) than in fighting about copyright.  I could also link to pictures (or provide one or two pictures that didn’t have copyright issues and link to others).

The second issue I can see is the documents.  I’m leaning toward wanting to explain the scholarship in this area.  A bibliography would be easy — quoting from the books or articles would be harder.  I’d have to figure out what the limits of that were.  On the other hand, I could put in my own views and then cite (or link) to other interpretations.

Given the layers and intricies of the challenge, I can’t think of much to do but play it by ear as I go, trying to stick with things that seem pretty clearly public and parsing the rules when I have no other practical choice.

-Tracy

Mickey Mouse Law

October 19, 2008 by tfishergmu

Let me start by saying that I’m a big fan of the internet, the open source movement, and Lawrence Lessig, who I’ve heard speak and found very persuasive.  Like any spokesman for a vanguard movement, however, I can’t shake the feeling that Lessig and the anti-copyright movement go too far.   Is the Sony Bono Act pretty silly?  Of course it is.  Should there be a better balance between copyright and access?  Of course there should be. Is Disney trying to get laws passed to protect their interests?  Shock.  Surely that can’t be how our legislative process works can it?

At the same time, I’m not crazy about the idea that all intellectual property reverts to the public domain after a certain period of time.  Lessig and his colleagues say that they support the basic principle of copyright (see, e.g., Willinsky at 2).  But they don’t seem to see much gray between what they say they want and the world of Sony Bono Act.  I’m not sure that the right answer to this problem is to make everything available equally after some period of time.  Disney has put a lot of time and effort into creating, defining (and protecting) their intellectual property that is Mickey Mouse.  Should I get to use him for my own purposes (without paying Disney even if I get paid myself)?  Do I really want Mickey on book covers and t-shirts (he can be the new Calvin on the back of pickup trucks, a use that I assume is today a copyright violation not policed)?

Lessig’s argument suffers from his overstatements.  He says “just because technology has weakened a particular way of doing business, it doesn’t follow that the government should intervene to support the old way of doing business.”  (p. 127) That may be true, but it discounts what has happened in fact, where courts, for example, protected the railroads against tort liability in the early days of the railroad when the industry was nascent (“sorry your house burned down from ash, ma’am, but you can’t sue the train company”), got harder on the railroads once it was clear they were going concerns who had gotten a little high on power (“sorry railroads, but you’re going to have to pay for all the houses that burned down because you were careless”) and now are arguably going back the other way to protect the poor defenseless railroads from those who would do them (financial) harm.  And the courts are usually about twenty years behind the times.  If you want cutting edge conceptions of law, society, and rights, you’re in big trouble if the only authority you’ll acknowledge is the Supreme Court (or the Congress for that matter).  The Supremes don’t take up issues until they’ve been well and truly vetted by the lower courts, a process that can take a generation (or more).  Right now, the pendulum is swinging in the direction of the status quo — over time, it’ll swing back (it almost always does) and the luddites will catch up with the times.  In the meantime, we have to navigate a mine field — welcome to life on the cutting edge of technology.  If you don’t like it, write your congressman (literally).

Likewise, Lessig goes too far when he says “[b]efore the Internet, Disney couldn’t really control how people got access to their content. Once a video was in the market-place, the “first-sale doctrine” would free the seller to use the video as he wished, including showing portions of it in order to engender sales of the entire movie video.” (p. 146) As his own example makes clear, “as he wished” is going way too far — you could never reshow the whole movie or, especially, charge a fee for doing so, without paying back.  Lots of public showings of movies found that out the hard way when the company that held the copyright tracked them down for a piece of the action.  It’s not that Lessig’s point is wrong — it’s that he’s not helping himself by making the whole thing seem pretty one-sided.

Maybe the answer is finding some gray — finding a new kind of protection, not quite copyright, not quite patent, not quite open source.  There’s already confusion, I think, about what can be trademarked, what can be copyrighted, and what can be patented.  Maybe it’s time to rethink how we give protection.  Words are one thing, maybe?   Creative images (art, even cartoons) another?  I’m less sure about photographs, which don’t seem to me to involve as much creative contribution, but I’m still thinking about that one.  And what about photos that are modified?  In any event, I’m sure that Willinksy, Lessig and I could agree that one of the main problems with the Sony Bono Act is how it was done — thoughtlessly, quickly, without evaluating the pros and cons.

There are issues — the Constitution is implicated and we’re usually pretty happy that we can’t just change the Constitution on a moment’s notice — but we could reinterpret the constitutional language, which (as usual) has a lot of wiggle room in it.  In the meantime, people can make it clear that excessive enforcement of copyright has a negative effect on perceptions of the company.  People already know that Disney is, well, pretty active about defending its intellectual property — one way to discourage them from going too far is to not buy their goods (and tell them so).  If they lose more money because people boycott their products than they do from minor infractions of copyright by schools who paint Mickey on murals (with reasonable attention to fidelity), it seems to me that Disney would do a different calculation. Let them charge a de minimis fee for the use, depending on the application and the user. The record labels (and the artists) are starting to figure this out — but this has all happened in an extraordinarily brief time.  When I finished college in 1993 (15 years ago), e-mail was a new concept and the internet was a rumor (at least in Indiana).  It seems to me that we need get past extremism (on both sides) and experiment with some compromises (like ITunes and Hulu) that work for both sides.

In the meantime, Willinsky makes a good point — people who publish and otherwise make information available to the world need to challenge the de facto assumptions about what rights they (and the publication) actually have.  There’s lots of language that claims to be legally binding that wouldn’t stand up to challenge — you can’t sign away your rights just by picking up a ticket at the entrance to a parking garage — but people don’t think to challenge legal language any more than they tend to challenge doctors who tell them to do things that don’t make sense.  People can stand up for themselves and they should — a lot of drops that can become a wave.

This is hard stuff.  But like most important things, just because it’s hard doesn’t mean it can be avoided or glossed over.  If there was ever a grass roots organization, though, that had a forum (the internet) and a population of sufficient size (the affected users) to express its view, this seems like it.  So I’m saving my extreme righteous indignation for things that I think need it (I’ll spare you my choices about what those things are) and trust that the system will figure this out in time.  Maybe it’s like identify theft — if you haven’t been a victim, you don’t come at it from the same place.  But since I haven’t been attacked by a copyright police squad (yet), but that’s where I come down.

-Tracy

US War Cemeteries and War Memorials

October 12, 2008 by tfishergmu

First, a disclaimer. I had rather the nightmare scenario this weekend (better now than in a few weeks, I suppose). While working on the sketch of my site and looking for information that might expand it, I found . . . well, my site. I don’t know how I missed it before, but it does what I would have proposed to do, or at least a big chunk of it. Now that a couple of hours have passed, I’ve worked through most of the panic and disappointment, and I’m moving on. (But I’ve bookmarked “my” site – I’ll look forward to exploring it when I have more time and don’t have to re-do my project from near-scratch!)

As you may recall, I had planned to do a project on Arlington National Cemetery. That job, however, was taken by the site I found. So I’ve expanded my topic to look more generally at war cemeteries (in the United States, they’re usually called “national cemeteries” when they are still active and “national shrines” once they are full) and war memorials. I have been doing some research on the concepts surrounding the field of history loosely termed war and memory, and I’ve found some very interesting pieces on the role that war memorials play in history and culture. I thought about whether I could, or should, de-couple war memorials and war cemeteries and decided that the two were too closely linked to be separated. You probably shouldn’t discuss the World War II Memorial in DC without discussing the similar memorial at the United States war cemetery in Normandy (above Omaha Beach), though many seem to do just that. And the war cemeteries are their own kind of war memorial, so despite the breadth of the resulting proposal, I think doing both together makes sense.

There are a lot of sites that provide information on war cemeteries and memorials, including some of the ones I looked at earlier in the semester. A few sites even look at memorials in the context of “war and memory” and provide information and even some analysis of memorials. The best one I found (Sites of Memory at <http://sites-of-memory.de/main/index.html>) has lots of good information but is not focused on the United States and is far from a systematic treatment of the topic.

The goal of my site would be to provide (1) factual information, photos, maps, and details about existing war memorials and cemeteries and (2) context and interpretation about where these things fit into United States history and what role they serve as history, memory, and culture.

On to the outline then:

This site would provide factual and interpretive information on United States war cemeteries (national cemeteries, national shrines, etc.) and war memorials. It would provide background and context for each type of location. It would also provide insight on how the United States memorializes its war dead, the purposes that memorialization is intended to serve at the time it is constructed and later, the role of the government in funding and constructing the locations and choosing their story, and whether the meaning of memorials has changed (or been ignored) over time. Ideally, the site might be expanded to include war memorials and cemeteries from other countries and provide comparisons and analysis on how and why different countries’ war memorial traditions developed as they have, but I feel that adding that to the initial project would make the scope too large in the beginning.

This site would bring together information from other sites, but it would collect information from a variety of government and private sources in one place, interpret the information and the memorials themselves, and provide an analysis of such topics as the

- Initial stated purpose of the location

- Current stated purpose of the location

- Role of government in the initial development in the project and since

- Funding for the project (public, private, large donations, grassroots donations, etc.)

- Changes to the location over time (such as adding panels or other elements to a memorial)

- Interaction of the location with the present (is it a place of continued mourning, like the Vietnam Memorial or a lost artifact, like the Washington DC World War I memorial?)

- Has the location (its physical site, its design, its message, etc.) been applauded? Been criticized? On what grounds? By what groups? (One issue: does it matter what the veterans of the particular war say more than others?)

- Is the design modeled on older designs? Which ones? Why?

If you think about the Vietnam Memorial as an example, then, this site would collect together the initial advocacy for such a memorial, the government-issued statements (then and now) about why the memorial was warranted, information on why and how its location and design was chosen, the controversy over its design, the additions to the original design (particularly the addition of the two statues to the grounds), and the role the memorial continues to play in American culture and tradition (with annual wreath layings and other commemorative, widely-attended events as well as with private reflection and the donation (often anonymous) of commemorative items by individuals).

The primary content of the site would be a page (or set of pages) on United States national cemeteries and shrines and war memorials, both those located in the United States and those elsewhere, such as Europe. The locations outside the United States would include the military cemeteries in Europe run by the American Battle Monuments Commission and the memorials in those cemeteries as well as the memorials to and by Americans elsewhere – the statue of Eisenhower by the US embassy in London might be one example; the Berlin Airlift memorials in Berlin and Frankfurt might be another. For each location, the site would provide answers to the questions and issues listed above (and no doubt the project would lead to the development of new questions) and further links about the site, including the link to the official website of the location, if any.

I could imagine several audiences for the site. I would hope history students (particularly those interested in war and memory) would find the site (and the interpretations) interesting and useful to further the discussion of the role that war memorials play in our culture. I would also hope that amateur historians would find the site useful to understanding how war is memorialized and how that has changed over time. I would think that the site might also be visited by tourists, veterans, people considering creating and designing new memorials, and architects.

I do not anticipate using audio or video on the site, though I may change my mind about that as the project develops (video of memorial services at places like the Vietnam Memorial and the Tomb of the Unknowns might add useful content to the site). At this point, I just envision a fairly simple sight with photographs and text (and one concern will be keeping the amount of text limited and judicious so this is not a history-paper-with-photograph-exhibits simply transferred to the web). It seems to me that this sort of inquiry is suitable to the web – providing information in a variety of formats and the ability to compare content and images quickly. For example, just how much does the World War II memorial look like the memorial at the Normandy military cemetery? Do multiple locations by the same designed, sculptor or architect look alike and does that devalue the uniqueness of the location?

I am still considering whether to have user-contributed or interactive elements. As an initial matter, it seems to me that some sort of visitors’ log would be particularly interesting and relevant to this site, as gathering up people’s reactions not just to the locations themselves but to the analysis of them (“how dare you or anyone criticize the memorial to the war I served in” or “this memorial has lost its relevance because of the failure of designers to provide it with an appropriate location,” etc.) would seem to directly advance the point of the site. At the same time, however, the very emotion that gives rise to the memorials originally and to their continued interaction with individuals might make for some heated discussions (or is that just wishful thinking on my part?) that might require more careful monitoring that would be practical. So I’ll continue to give that some thought, but I’m leaning toward trying to include something, even if it’s just an e-mail for sending in reflections for posting on the site.

There also may be a place in a site like this for users to contribute information and photographs of locations too small to be reflected in the current web worldview. In that case, providing an opportunity for people to provide information and photographs about sites appropriate to the topic but not yet discussed might add to the breadth of the site. One issue here, as with the site in general, will be the judgment calls about “what’s a war memorial” – are the many “Memorial Stadiums” war memorials? What about memorials to individual soldiers? Military memorials may also pose challenges (the Marine Corps Memorial at Arlington Cemetery is a war memorial, right? But what about the Navy-Marine Corps Memorial off the George Washington parkway?). The broader the selection, the less detailed information can be provided about the material on the site – is it better to be a mile wide or a mile deep? It seems to me that the conversation I’m interested in advancing (i.e., what is the role of war cemeteries and memorials in culture and history?) might be better served by in-depth analysis of fewer locations rather than superficial analysis of many locations.

Comments and suggestions welcome as usual — or perhaps more than usual, since I’m re-baselining things a bit in real time . . .

Thanks, Tracy

Wiki Sites

October 5, 2008 by tfishergmu

Not sure if we’re still supposed to do this — I’m not entirely sure where we are relative to the syllabus, so I hope the expectations about “outline of the project” will be fairly straightforward if we do it Monday night.  Hopefully I can regroup and figure out where we are.

But I’ve noticed that others have posted Wiki reviews, so I’ll do the same, lest I fall behind!  I’ll admit I’ve never looked at anything but a Wiki main topic page — had to hunt around to find Discussion and History.  I’ve been resisting using Wiki for anything real, though it’s always great for less academic inquiries like television episode guide and “whatever happened to” people or events.  Well, and quick overviews of things that I want to understand the basics of (Thucydides!) before moving forward in reading about them.

I looked up “Arlington National Cemetery” and was rather surprised to find a fairly polite discussion in the Discussion tab about factual accuracy.  Very little ranting, very little ire — all in all, pretty reasonable.  The History tab is more on the tech side, but it’s rather interesting to see the back-and-forth.  The ANC website hasn’t been updated very frequently, so there hasn’t been a lot of contentious issues apparently.

The American Battle Monuments Commission site is even less in contention — a warning about one broken link that has since been corrected — and only from May 2007.  So apparently there hasn’t been a lot of drama — interestingly, the web rumors that France wanted Americans disinterred and repatriated aren’t addressed, so maybe they were debunked and never addressed on the site or maybe the content of the site isn’t updated much no matter what’s going on.  The History tab, however, indicates that someone is maintaining the site and has through 2008 — there have been updates to the name of the chairman of the Commission.  It looks like there was some neutrality issue some time back — but without doing a compare-write between the current page and the previous snapshot, it’s hard to know what was changed.  I do think it’s interesting that you can see old versions — I think that’s a good thing, both from a historical perspective (like archives.org) and from a quality of information perspective, so people (who really want to, at least) can tell what’s being changed and how.

With respect to Veterans Affairs, the text-complete function properly redirected me from Veterans Administration (which I think is what it was called before it became a cabinet department some years ago) to the US Department of Veterans Affairs.  The history page is actually heartbreaking, with people using the site to try to get more information on benefits and individual histories.  There a couple of other interesting discussions about factual issues surrounding the VA and one rant (come on, there had to be one in three pages) about the quality of service at the VA.  Like ABMC, there haven’t been many updates, which is interesting because you’d think that the “scandal” involving Walter Reed would have spilled over to the VA system.

As for my investigation, one of the comments on the Discussion page is on my topic — a link to discussion on national cemeteries with a nice list of locations.  The information looks pretty accurate from what I know, so that’s good. 

On the general topic of Wiki, I think the issue is very similar to the rest of the web — the issue is less about the information than about our critical ability to evaluate information.  Shockingly, not everything that’s written is true, but we’re socialized to think that newspapers, magazines, and books are cite-checked so the facts that impart must be mostly true — and if they’re not true, that someone will make a fairly big stink about the whole thing sooner or later.  So it’s hard to be critical about web sources, because the line between websites like washingtonpost.com and much less, er, peer-reviewed materials is pretty blurry.  I’m grateful for sites like snopes.com that debunk web-based myths — mostly because they explain what their sources are and how they derive their results.  Maybe most writing is like most math — the process works better when you “show your work” — footnotes are the (inexact) inequivalent of a proof in geometry.  If you believe x and y and z, then it makes sense that a and b are true.

Everyone knows about “hearsay” from tv and movies.  There are bunch of rules about what’s admissible in a court — but what they teach you in law school is almost everything comes in as evidence if the lawyer who wants to enter it into evidence knows what to do.  The phrase is always “your honor, let it in for what it’s worth” — essentially, let the jury decide whether the witness (and the hearsay statement) are credible.  I’ve been thinking about that phrase a lot in both my classes this semester — sources, books, projects will seldom, if ever, be perfect.  But if we take them for “what they’re worth,” we can take the things from them that have value and reject the parts that are more sketchy.  On balance, then, anything that has some value (I’d say that there’s little that doesn’t) should be perpetuated.

Again, this argument is kind of like the 1st Amendment argument — the answer to bad speech isn’t restrictions on speech — it’s more speech.  One result may be cacophony, almost too much information to understand or to process.  But we have to believe (and our history tends to suggest) that the truth will percolate to the top.  It’s been the answer to fear and panic over time — that and Supreme Courts so isolated from society that they don’t get caught up in the hysteria (wait, can I say that in a less pejorative way?) — and you have to think it’ll be an answer to the overflow of information that the web currently provides.  Wiki is neither part of the solution or part of the problem directly — but it has value and it provides a well-known forum for people to exchange ideas, information, and what passes for facts.

Ok, end of reflection.   I’m going to go back and think some more about my project and where it fits in to all this information . . .

-Tracy

And again . . .

October 3, 2008 by tfishergmu

Still technically challenged.

Sharon, thanks for the wonderful information and offer. Let me get my thoughts together and I’ll be in touch.

-Tracy

Technical Difficulties

October 3, 2008 by tfishergmu

Thanks!

October 3, 2008 by tfishergmu